• About
  • Disclosure Policy
  • Archives
  • Categories
  • Archive for August 31st, 2008

    Review: The American Mall (DVD)


    2008 - 08.31

    Who would have thought that the live-action musical would ever make a comeback? Yet playing off the strengths of High School Musical and High School Musical 2 comes another live-action musical, The American Mall, from the folks at MTV. Featuring a cast of unknowns, all part of the pimple cream crowd, the biggest disappointment in the energetic musical film is that virtually the entire cast seems to be, at best, lip-synching experts. One might hope that at least a couple of the leads would be cast for their singing voices, but apparently, no such luck.

    The movie is so good-natured and clean-cut, one might expect Disney Studios to be the creator, rather than MTV. Like most good musicals, there are plenty of catchy tunes and the acting segments are a story-frame constructed merely to link each production number together. There is also plenty of dancing, complete with tributes to “classic Hollywood” musicals where there are overhead shots of dancers lined up in patterns doing choreographic kicks.

    The tale centers on musical prodigy Ally, whose mom is a disillusioned pop star who now runs a struggling music story in a mall. Ally’s main problem is that while she can start songs that are potential hits, she can never seem to finish her compositions.

    Not, that is, until she runs into Joey, another musical prodigy who works on the mall’s maintenance crew. Their connection is threatened, of course; in this case, by spoiled brat Madison, daughter of the mall’s owner, who is seeking to bump the music store out of the mall to make way for her own line of high-fashion clothing stores.

    Like most good musicals, there’s a classic good vs. evil theme that runs throughout, and the payoff (without spoiling too much or being overly specific) is a classic old-time Hollywood happy ending that should make folks come away humming some of the tunes and wondering when Nina Dobrev (Ally), Rob Mayes (Joey) and Autumn Reeser (Madison) might actually be in something else, as they turn in decent enough performances in a movie that promises low expectations going in.

    The main difference between The American Mall and classic Hollywood musicals like The Sound of Music is that the old Hollywood stuff offered up stars like Julie Andrews who actually knew how to sing. That’s the biggest stickler with The American Mall; not only do none of the singing voices seem to match the actors, but the singers who are used as stand-ins have their voices so overly-filtered that it’s hard to tell how much real talent is actually there.

    While The American Mall is not going to make anyone forget about Singin’ In the Rain, The Sound of Music or even Grease, it’s a good-natured flick that’s appropriate viewing for the entire family, and that’s worth a look, at least. Plus, since the music is all modern bubblegum rock, it’s more relatable to the younger generation that those older, though superior, movies.

    Review: Trapped Ashes (DVD)


    2008 - 08.31

    Anyone remember the 1980s-era Stephen King movie, Cat’s Eye? Or his other movie of similar concept, Creepshow? They were collections of King’s short fiction, several stories that, in and of themselves, were not long enough to sustain a movie, but were collected together to become feature-length. Trapped Ashes is similar to those films, though inspired by even earlier horror anthology movies.

    The film is a collection of five tales, each directed separately by different directors, including Sean S. Cunningham of Friday the 13th fame and Joe Dante, who cut his teeth on Gremlins as well as some earlier and more recent stuff, as well as three other directors who aren’t as recognizable, Ken Russell, Monte Hellman and John Gaeta.

    Unlike Saw, Hostel and much of the other torture-centric muck that seems to dominate the horror market these days, Trapped Ashes is a throwback to EC Comics and Stephen King-style horror with a sly morality tale slipped into the gross-out goodness.

    The cast, largely a group of unknowns, is headlined by character actor Henry Gibson as “the Tour Guide,” who is probably best known for his recent work on ABC’s Boston Legal as Judge Clark Brown. The friendly, impish man plays a studio backlot tour guide who leads our main cast into an old movie set that looks like something out of Psycho, and warns them that if they enter the house, “all the effects are real,” which means they become trapped inside until they share their personal tales of horror.

    It’s a somewhat clever, somewhat cornball wrapper around the four main short subjects submitted by the other directors, and credit for it goes to Joe Dante. Surprisingly, the most effective tale – at least in my opinion – comes not from Cunningham, but Russell, whose segment “The Girl with the Golden Breasts” is a sly morality tale on fame and vanity in Hollywood, filled with gross-out moments, nudity and sexual content; it’s the most adult piece in this fairly adult-themed movie.

    “Jibaku” is Cunningham’s contribution to the pastiche, and in the 20-plus minutes he’s given, proves he can handle human emotions on film a bit better than he did back when he was filming the first few Friday the 13th slasher flicks, notorious for dehumanizing the victims so much that only Jason was left as a sympathetic character. It is a cautionary tale of temptation and lust.

    “Stanley’s Girlfriend” is a very predictable, paint-by-numbers tale that warns of the dangers of betraying a friend, and is probably the least-inspired story in the collection, courtesy of Hellman. “My Twin, The Worm” is a disturbing tale of infidelity and pregnancy that lacks a clear moral core and seems the tale most affected by the brevity in which the tale is told.

    While Trapped Ashes made its cinematic run in 2006, it is on sale now on DVD and although uneven, makes for a half-decent popcorn movie for adults. However, due to a fair amount of sexuality and nudity, it’s not for the 17 and under crowd.

    Weak end to summer box office


    2008 - 08.31

    Only Tropic Thunder managed to draw more than $10 million in box office in the weekend preceding Labor Day, the traditional end to the summer movie season. Totals through Sunday have the Robert Downey Jr.-headed comedy coming away with $11.5 million for its third straight week atop the box office draw. As the movie that dethroned The Dark Knight from the top spot, it’s been a great summer movie season for actor Robert Downey Jr., whose Marvel Studios superhero pic, Iron Man, kicked off the summer blockbuster season.

    So far, Tropic Thunder has grossed $86 million in worldwide box office, while Iron Man topped out at $571 million in worldwide box office. Together, that gives Downey Jr. $657 million in box office this summer.

    By comparison, The Dark Knight has accumulated an additional $8.75 million this weekend, bringing it’s domestic total to $502 million and its worldwide total to $919 million.

    So, while summer may be packing its Rimowa bags, the future looked bright for Downey Jr., who has had as much impact on summer box office success as nearly anyone, aside from the cast of The Dark Knight.

    If Downey Jr. can avoid another career-derailing misstep, he should expect to see several large paydays in the near future.

    In other chart news, Babylon AD debuted in second place with $9.7 million, a worrisome note considering its $70 million budget; The House Bunny came in fourth, close behind The Dark Knight, with $8.4 million. And Traitor, the Guy Pearce-Don Cheadle vehicle, rounded out the Top 5 spots with $7.9 million.

    Other disappointments: The Mummy: Tomb of the Dragon Emporer has fallen to the 13 spot, grossing only $97 million to date against a $145 million budget. Star Wars: The Clone Wars is already out of the Top 10, with only $27 million grossed to date. And Sisterhood of the Traveling Pants 2 dropped from 12 to 19 this week, drawing only $1.45 million but has already grossed $41 million against a budget of $27 million, making it a value film despite a brief run.