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    Shutter Island headlines quiet week


    2010 - 02.16

    Listen for the doorbell and you might hear the click-whir of Shutter Island, the period chiller by Martin Scorsese that stars Leo DiCaprio this weekend; that’s about the only film opening big enough to challenge Valentine’s Day, The Wolfman, Percy Jackson and Avatar for box office dominance going into the third weekend of February.

    Everything else is either opening small or won’t be released until later on. After seeing The Wolfman today, and viewing the preview for Cop Out, I’m now kind of looking forward to the Bruce Willis-Tracy Morgan-Sean William Scott buddy cop flick coming out at the end of February, but after that, there’s nothing much of interest until the middle of March!

    Spider-Man 4 dead; Sony to reboot franchise


    2010 - 01.14

    Word has hit the street that Sony has put the kibosh on Spider-Man 4, releasing director Sam Raimi, star Tobey Maguire and the rest of the existing Spidey cast from all future contractual obligations to the Spidey franchise. So instead of one more go-round with Maguire, Dunst and company under Raimi’s direction, Sony will back-peddle and allow a new director and cast to start over.

    Considering the vast success of the first three Spider-Man films, it’s unlikely the new franchise will attempt to retell Spider-Man’s origin story, which took up much of the first film, but an early version of the prospective script, penned at this point by Jamie Vanderbilt, will toss Peter back to his high school years and cover territory missed between Spider-Man and Spider-Man 2. However, any rumors that Parker’s biggest enemy in the new flick will be severe acne are patently untrue.

    Sony is currently touting director Marc Webb, whose biggest achievement to date is (500) Days of Summer, a rom-com that was barely a box office blip a few months ago. However, the studio liked his ability to capture the angst of youth, which is a major player in the teenage Peter Parker’s life.

    No word on whether some supporting actors, like J.K. Simmons, who played J. Jonah Jameson to a “T,” will reprise his role in the reboot, but he’s one bit player who I’d love to see return and would be hard to replace.

    Of course, there are any number of young actors in Hollywood who could take on the roll, and they need to look about 15 years old at the time the Spidey reboot launches in 2012 – one year later than Spider-Man 4 was set to debut. That means kids who are no older than 16 or 17 right now, at most. One prominent name that springs to mind for the role of Peter Parker is current Glee cast member Kevin McHale, who plays wheelchair-bound Artie on Glee. However, McHale is already 22 right now and will only look older in two years. Plus he’s contractually bound to Glee.

    I’m sure Webb or whoever eventually wins the reigns of the franchise will find apt replacements; the other big change to the franchise is that Sony wants the Spider-Man reboot to be done completely in Avatar-esque 3D… meaning your friendly neighborhood wallcrawler will be swinging right at you in a couple years’ time.

    Ryan Reynolds is Green Lantern!


    2009 - 07.13

    Well, the comic book war between Marvel and DC has just stretched over into Hollywood; following this past spring’s release of the X-Men Origins: Wolverine movie, Ryan Reynolds’ turn as Deadpool was entrancing enough to excite Fox execs about featuring Reynolds as the undead hitman in his own Deadpool movie. Yet, with the i’s still waiting to be dotted and t’s crossed, along came that manufactured home known as Warner Brothers to scoop up the hot hero actor.

    It was announced this week that Reynolds beat out Justin Timberlake and Bradley Cooper, among others, to land the lead in Warner Brothers’ upcoming GREEN LANTERN, to be written/produced/directed by Greg Berlanti, Mark Guggenheim and Michael Green. Martin Campbell will handle the behind-the-camera duties and shooting starts in January in Australia.

    Did Reynolds oust himself from the Deadpool movie with this move? Or is the Green Lantern role a step up? It’s an interesting move, to be sure, and one that ensures Reynolds will have a premiere hero role in his future.

    Hardwicke out, Weitz in for Twilight sequel


    2008 - 12.15

    Despite turning an underdog movie into a box office cause celeb, director Catherine Hardwicke will not return to direct New Moon, Summit Entertainment’s sequel to Twilight, also based on the Stephanie Meyer novel of the same name. In Hardwicke’s place is a more recognizable name, perhaps… but also perhaps not for good reasons.

    Chris Weitz, the newly-dubbed director for New Moon, is best known for starting the craze known as American Pie. His other work includes About A Boy and Golden Compass. Given that Twilight made its mark without sex, violence or notable foul language, Weitz’ resume may not inspire much confidence.

    Still, he has been given the blessing of author Meyers, which may be worth something; let’s just hope New Moon doesn’t turn into a romp about a bunch of vamps and humans peeping on others having sex and throwing wild parties hoping to get laid, since that’s pretty much what American Pie was all about. I think the guy down the street who sells horse supplies might have inspired more confidence in me; but only time will tell.

    Review: X-Files: I Want To Believe (DVD)


    2008 - 12.15

    It took six years from the end of the TV series and ten years from the first motion picture – far longer than anyone expected, due to legal hassles between Fox and series creator Chris Carter – for a second X-Files movie to be made, and unfortunately it was buried by its movie studio, which debuted it only one week after The Dark Knight opened to be one of the strongest movies since the release of The Titanic. Yet with its release on DVD and Blu-Ray, X-Files: I Want to Believe is finally available to long-suffering fans of the sci-fi hit, and beats most lame sports gifts you might name.

    As promised, X-Files: I Want to Believe is not connected to the show’s traditional “alien mythology,” but offers up a chilling scenario with supernatural overtones that allows for thrills, suspense, and plenty of character development. The movie acknowledges that time has passed and our primary characters have moved in with their lives. Scully is now an accomplished surgeon, while Mulder’s a bit of a shut-in and neither of them have worked for the FBI’s X-Files division in years.

    That changes when a new agent, played ably by Amanda Peet, calls both Mulder and Scully back into service to help out with a missing persons case that includes an abducted FBI agent. Currently relying on a supposedly-psychic pedophile priest (did we hit enough politically correct notes with that piece of villainy?) to lead them to clues, the actual need for Mulder and Scully’s expertise in the peculiar is never one hundred percent clear, but the resulting case does reignite the smoldering ember of chemistry between Mulder and Scully.

    Long-time series fans will be disappointed to hear that the Lone Gunman and the Cigarette-Smoking Man (William B. Davis) are notably absent, although a cameo from Mitch Pileggi as Walter Skinner is welcome recompense. Yet the lack of fan-service cameos serves the movie itself quite well, leaving it room enough to focus on the essentials: a creepy main plot, and real movement in the long-stagnant relationship between Mulder and Scully.

    As odd as it may sound, both X-Files movies were, at their core, a classic romance between Mulder and Scully, and what is admirable about the job done by Carter and company here is that even though the character’s relationship does move forward significantly in this movie, they both retain their core beliefs and principles – the differences of which has always sparked the chemistry between them.

    Released on DVD in a special two-disc set, there are loads of extra features that ought to be enough to satisfy even the most demanding of special-feature freaks. And I count myself among that number. Although its poor box office performance may have killed any chances for a third movie down the road, at least X-Files: I Want to Believe provides an emotionally resonating and satisfying wrap on science fiction’s longest-running dynamic duo since Batman and Robin.

    Review: Ghost House Underground: No Man’s Land: Rise of the Reeker (DVD)


    2008 - 10.27

    No Man’s Land: Rise of the Reeker is written and directed by Dave Payne, and is something of a one-trick pony of a movie. The main trick of the movie is a misdirect of who the bad guy is; the opening scene plays this to the hilt and once it’s over and the opening credits roll, the rest of the movie is as uninspired as a catalog of office chairs.

    The film relies on some rather cliché SF and horror conventions, one element of which even brings some miming into play. The film essentially quickly becomes a survival of the fittest flick, but with a supernatural twist as people who shouldn’t survive certain wounds somehow do.

    Relying more on gore and gross-out than actual suspense, No Name’s Land: Rise of the Reeker aims at a lower target than some of the other films in this collection. If they had hit that target solidly, that might be forgivable, but that’s not so much the case here. Despite a nice little shocker opening sequence, the rest of the film fails to live up to that same level of creativity and ends up being more tedious than a film of this type ought to be.

    Review: Ghost House Underground: Dance of the Dead (DVD)


    2008 - 10.27

    Written and directed by Gregg Bishop, Dance of the Dead is a zombie movie that was made right here in the US, and bypassed theatrical release, going directly to video as part of the Ghost House Underground collection of eight horror flicks. A good-natured film that builds characters well, the zombie content is foreshadowed early and yet allows enough time for the viewer to connect with the characters before the movie gets really dark.

    The main ingredient that seems to hold this film back from being a mainstream theatrical release, it seems, is the low profile casting; while that kept the budget small, the lack of any established, recognizable stars also is the main reason this film got lumped into a collection of DVDs rather than going onto the silver screen. This makes Dance of the Dead the movie equivalent to a once-rotund person after using the Alli diet pill

    That’s not a knock on the performances given by those cast, however; though less experienced actors, most do well with the material they’re given. A nuclear power plant is generally cast as the reason for the zombification of the dead, though that’s barely explored in this release, though it’s hinted that an assault on the power plant will be the main action behind an anticipated sequel.

    Though a bit cornball and predictable, Dance of the Dead is the most commercial of the movies in this collection. If they had snagged someone like Smallville’s Kristen Kruek or Supernatural’s Jared Padalecki to take up a key role or two in the film, this would be a movie review, and not a DVD review.

    Review: Ghost House Underground: Room 205 (DVD)


    2008 - 10.27

    Part of the eight-movie horror-flick fest known as Ghost House Underground, Room 205 is a spooky film focusing on a haunted dorm room, and a Danish import brought to the US by Lion’s Gate Films.

    The movie focuses on freshman Katerine, who tries to gain the acceptance of her peers while still getting her bearings as a new university student, but undergoes a hazing related to Room 2005’s reputation as a haunted dorm room.

    Unfortunately, there’s more to the haunting of the room than pure legend and when a haunted mirror starts to show people who are about to die their fate rather than their reflection, Katerine’s dorm-mates begin to suspect her in the series of deaths that soon follow.

    Paced like a slasher film, Room 205 contains a sexual assault scene that, while not overly graphic, may be disturbing to some viewers. The language is rather tame and the English dub job may not be seemless, but it’s quite a bit better than the dub-job on The Substitute. Atmospheric but a bit cliché, Room 205 is effective at building up a sense of suspense, yet suffers from being a bit predictable.

    Review: Ghost House Underground: The Substitute (DVD)


    2008 - 10.27

    The movie The Substitute, which is part of the Ghost House Underground collection, is not to be confused with the 1996 Tom Berenger movie or its sequels. This is a Danish film released this year and collected as part of an eight-movie horror film grab bag. The film stars aging Danish film star Paprika Steen at the blonde substitute teacher of the film’s title.

    More kitschy SF flick than pure horror film the movie opens with some gobbledygook about another planet finding Earth that didn’t know how to love, and it was humanity’s capacity to love that drew them here. Of course, there’s very little loving done in the story that follows. When Steen appears as a substitute teacher, her class of students sense there’s something freaky-deaky about her right away; of course, the parents don’t see it and she somehow rises above suspicion for much of the film, even though she never does anything as innocent as playing with dollhouses.

    On the upside, the film is relatively clean on the language front and low on the gore factor, relying on more of a building suspense than blood-n-guts. On the down side, the final act is pure hokum, the English dub job is haphazard at best and painfully out-of-synch at times, and the film as a whole is not very spooky at all.

    Review: Tony & Tina’s Wedding (DVD)


    2008 - 09.09

    I like live theater as much as the next guy, but rarely has a stage play been so ham-fistedly adapted to the big screen. Tony & Tina’s Wedding is a long-standing hit on stage, but writer-director Roger Paradiso’s 2004 adaptation for the silver screen is one that deserves to be forgotten rather than memorialized on DVD.

    With That 70s Show’s Mila Kunis as Tina and pretty much no one else of note, the main problem with the film version of the play is that no one toned down the performances for the big screen. While loud, over-the-top characterizations help folks in the cheap seats feel included in a live performance, on screen the result is a lack of subtlety and intimacy that film, by its very nature, lends to the mix.

    Now, sure, it could be argued that the play was adapted for the screen; but the adaptation concentrated mostly on keeping the actors moving on location, rather than having them confined on the stage to a single set. What needed more attention was adapting the performances to a scale that could take advantages of the dynamics of film.

    Instead, the movie breezes along at breakneck speed and although there are many words, little is actually said. Most of the dialog seems incidental and designed to overplay stereotypes, rather than capture subtle ethnic culture and differences.

    As for the DVD package, the special features are only OK, and since they complement such a poor film adaptation of the stage hit, they’re only of passing interest. Some time is spent on explaining the off-Broadway hit that the stage version ended up becoming, but it’s simply not enough to hold together an entire DVD package.

    In the end, one would need an Orovo detox to find Tony & Tina’s Wedding remotely entertaining on the big screen. If you’re looking for a musical to be adapted to the big screen the right way, you’re better off with Mamma Mia! than with Tony and Tina’s Wedding.

    Bangkok Dangerous takes top spot


    2008 - 09.08

    The new Nicholas Cage actioner, Bangkok Dangerous, took over the top spot in the weekend box office, during a very tame week in theaters, grossing a mere $7.8 million against a $45 million budget, which is not a good sign for the box office success of the flick.

    The now-deposed Tropic Thunder slipped only to second place with a competitive $7.5 million, pulling the flick to $96.7 million since its debut, and ensuring it will top $100 million. However, against a $92 million budget, that’s not as impressive as it would be otherwise.

    Considering the new season of TV stands to draw some audience away from theaters, it’s hard to imagine things will get better until closer to the winter holiday season.

    For now, third place goes to House Bunny with $5.9 million; fourth place to The Dark Knight with $5.7 million; Traitor rounds out the top five with $4.6 million.

    Personally, I’m not expecting big things from anything in September; about the only movie I’m really looking forward to is the Ricky Gervais comedy, Ghost Town.

    Review: The American Mall (DVD)


    2008 - 08.31

    Who would have thought that the live-action musical would ever make a comeback? Yet playing off the strengths of High School Musical and High School Musical 2 comes another live-action musical, The American Mall, from the folks at MTV. Featuring a cast of unknowns, all part of the pimple cream crowd, the biggest disappointment in the energetic musical film is that virtually the entire cast seems to be, at best, lip-synching experts. One might hope that at least a couple of the leads would be cast for their singing voices, but apparently, no such luck.

    The movie is so good-natured and clean-cut, one might expect Disney Studios to be the creator, rather than MTV. Like most good musicals, there are plenty of catchy tunes and the acting segments are a story-frame constructed merely to link each production number together. There is also plenty of dancing, complete with tributes to “classic Hollywood” musicals where there are overhead shots of dancers lined up in patterns doing choreographic kicks.

    The tale centers on musical prodigy Ally, whose mom is a disillusioned pop star who now runs a struggling music story in a mall. Ally’s main problem is that while she can start songs that are potential hits, she can never seem to finish her compositions.

    Not, that is, until she runs into Joey, another musical prodigy who works on the mall’s maintenance crew. Their connection is threatened, of course; in this case, by spoiled brat Madison, daughter of the mall’s owner, who is seeking to bump the music store out of the mall to make way for her own line of high-fashion clothing stores.

    Like most good musicals, there’s a classic good vs. evil theme that runs throughout, and the payoff (without spoiling too much or being overly specific) is a classic old-time Hollywood happy ending that should make folks come away humming some of the tunes and wondering when Nina Dobrev (Ally), Rob Mayes (Joey) and Autumn Reeser (Madison) might actually be in something else, as they turn in decent enough performances in a movie that promises low expectations going in.

    The main difference between The American Mall and classic Hollywood musicals like The Sound of Music is that the old Hollywood stuff offered up stars like Julie Andrews who actually knew how to sing. That’s the biggest stickler with The American Mall; not only do none of the singing voices seem to match the actors, but the singers who are used as stand-ins have their voices so overly-filtered that it’s hard to tell how much real talent is actually there.

    While The American Mall is not going to make anyone forget about Singin’ In the Rain, The Sound of Music or even Grease, it’s a good-natured flick that’s appropriate viewing for the entire family, and that’s worth a look, at least. Plus, since the music is all modern bubblegum rock, it’s more relatable to the younger generation that those older, though superior, movies.