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    Singer considering X-Men First Class and X-Men 4


    2010 - 03.20

    Director Bryan Singer is rolling in rich projects right now; he’s been attached in the Hollywood rumor mill to the movies Jack the Giant Killer and a big-screen version of Battlestar Galactica, but his next project appears to be X-Men: First Class, a reboot of the Marvel mutant he launched and then abandoned to try his hand at a Superman movie.

    The result, of course, was not a tuxedo-inspiring piece of cinema, but two subpar superhero flicks, as Superman Returns was disappointing, and the non-Singer X-3: The Last Stand was similarly uninspiring. Even last year’s X-Men Origins: Wolverine, failed to live up to expectations.

    At one time, Singer’s return to the X-franchise was doubtful, but given the weakness of films developed without his involvement, his return is now a welcomed bit of news among network execs. Word on the street is that producer Lauren Shuler-Donner has even promised to wait on moving ahead with X-Men 4 in hopes that Singer will helm that project as well.

    Of course, with so many irons in the fire, can Singer really make good on all these projects? Probably not; something’s going to drop and hopefully it’s Jack the Giant Killer, a project that would be just fine in someone else’s hands.

    Hoping Hot Tub is good


    2010 - 03.20

    With John Cusack anchoring the upcoming comedy Hot Tub Time Machine, count me as one who is hoping the 1980s throwback laffer is more John Hughes and less Farrelly Brothers in orientation. I’ve always considered the 1980s my decade – the decade in which I went from 14 to 24 – so I’m rooting for this movie to do well, big time.

    However, if the film reflects the mores, mentality and vocabulary of 2010 more than 1985, it’s a recipe for disaster. In my mid-40s now, I don’t enjoy going to movies that are excessively foul-mouthed, which is certainly the current trend. I intend to go to the movie if I can; but I will walk out if it’s too bawdy.

    The Final Destination not so final


    2010 - 03.20

    The Final Destination, a 3D outing of the decade-old franchise, was implied to be the last installment in the series, but considering the thriller raked in $180 million in global box office, the inexpensive series of films may not have made the top franchises 2010 list, a follow-up was suddenly a possibility.

    Now it’s a lock; at ShoWest, Warner Brothers president Alan Horn confirmed development is moving ahead on a new installment of the movie series. Will it be 3D again? Hard to imagine it wouldn’t.

    Shutter Island headlines quiet week


    2010 - 02.16

    Listen for the doorbell and you might hear the click-whir of Shutter Island, the period chiller by Martin Scorsese that stars Leo DiCaprio this weekend; that’s about the only film opening big enough to challenge Valentine’s Day, The Wolfman, Percy Jackson and Avatar for box office dominance going into the third weekend of February.

    Everything else is either opening small or won’t be released until later on. After seeing The Wolfman today, and viewing the preview for Cop Out, I’m now kind of looking forward to the Bruce Willis-Tracy Morgan-Sean William Scott buddy cop flick coming out at the end of February, but after that, there’s nothing much of interest until the middle of March!

    Spider-Man 4 dead; Sony to reboot franchise


    2010 - 01.14

    Word has hit the street that Sony has put the kibosh on Spider-Man 4, releasing director Sam Raimi, star Tobey Maguire and the rest of the existing Spidey cast from all future contractual obligations to the Spidey franchise. So instead of one more go-round with Maguire, Dunst and company under Raimi’s direction, Sony will back-peddle and allow a new director and cast to start over.

    Considering the vast success of the first three Spider-Man films, it’s unlikely the new franchise will attempt to retell Spider-Man’s origin story, which took up much of the first film, but an early version of the prospective script, penned at this point by Jamie Vanderbilt, will toss Peter back to his high school years and cover territory missed between Spider-Man and Spider-Man 2. However, any rumors that Parker’s biggest enemy in the new flick will be severe acne are patently untrue.

    Sony is currently touting director Marc Webb, whose biggest achievement to date is (500) Days of Summer, a rom-com that was barely a box office blip a few months ago. However, the studio liked his ability to capture the angst of youth, which is a major player in the teenage Peter Parker’s life.

    No word on whether some supporting actors, like J.K. Simmons, who played J. Jonah Jameson to a “T,” will reprise his role in the reboot, but he’s one bit player who I’d love to see return and would be hard to replace.

    Of course, there are any number of young actors in Hollywood who could take on the roll, and they need to look about 15 years old at the time the Spidey reboot launches in 2012 – one year later than Spider-Man 4 was set to debut. That means kids who are no older than 16 or 17 right now, at most. One prominent name that springs to mind for the role of Peter Parker is current Glee cast member Kevin McHale, who plays wheelchair-bound Artie on Glee. However, McHale is already 22 right now and will only look older in two years. Plus he’s contractually bound to Glee.

    I’m sure Webb or whoever eventually wins the reigns of the franchise will find apt replacements; the other big change to the franchise is that Sony wants the Spider-Man reboot to be done completely in Avatar-esque 3D… meaning your friendly neighborhood wallcrawler will be swinging right at you in a couple years’ time.

    Ryan Reynolds is Green Lantern!


    2009 - 07.13

    Well, the comic book war between Marvel and DC has just stretched over into Hollywood; following this past spring’s release of the X-Men Origins: Wolverine movie, Ryan Reynolds’ turn as Deadpool was entrancing enough to excite Fox execs about featuring Reynolds as the undead hitman in his own Deadpool movie. Yet, with the i’s still waiting to be dotted and t’s crossed, along came that manufactured home known as Warner Brothers to scoop up the hot hero actor.

    It was announced this week that Reynolds beat out Justin Timberlake and Bradley Cooper, among others, to land the lead in Warner Brothers’ upcoming GREEN LANTERN, to be written/produced/directed by Greg Berlanti, Mark Guggenheim and Michael Green. Martin Campbell will handle the behind-the-camera duties and shooting starts in January in Australia.

    Did Reynolds oust himself from the Deadpool movie with this move? Or is the Green Lantern role a step up? It’s an interesting move, to be sure, and one that ensures Reynolds will have a premiere hero role in his future.

    Hardwicke out, Weitz in for Twilight sequel


    2008 - 12.15

    Despite turning an underdog movie into a box office cause celeb, director Catherine Hardwicke will not return to direct New Moon, Summit Entertainment’s sequel to Twilight, also based on the Stephanie Meyer novel of the same name. In Hardwicke’s place is a more recognizable name, perhaps… but also perhaps not for good reasons.

    Chris Weitz, the newly-dubbed director for New Moon, is best known for starting the craze known as American Pie. His other work includes About A Boy and Golden Compass. Given that Twilight made its mark without sex, violence or notable foul language, Weitz’ resume may not inspire much confidence.

    Still, he has been given the blessing of author Meyers, which may be worth something; let’s just hope New Moon doesn’t turn into a romp about a bunch of vamps and humans peeping on others having sex and throwing wild parties hoping to get laid, since that’s pretty much what American Pie was all about. I think the guy down the street who sells horse supplies might have inspired more confidence in me; but only time will tell.

    Review: X-Files: I Want To Believe (DVD)


    2008 - 12.15

    It took six years from the end of the TV series and ten years from the first motion picture – far longer than anyone expected, due to legal hassles between Fox and series creator Chris Carter – for a second X-Files movie to be made, and unfortunately it was buried by its movie studio, which debuted it only one week after The Dark Knight opened to be one of the strongest movies since the release of The Titanic. Yet with its release on DVD and Blu-Ray, X-Files: I Want to Believe is finally available to long-suffering fans of the sci-fi hit, and beats most lame sports gifts you might name.

    As promised, X-Files: I Want to Believe is not connected to the show’s traditional “alien mythology,” but offers up a chilling scenario with supernatural overtones that allows for thrills, suspense, and plenty of character development. The movie acknowledges that time has passed and our primary characters have moved in with their lives. Scully is now an accomplished surgeon, while Mulder’s a bit of a shut-in and neither of them have worked for the FBI’s X-Files division in years.

    That changes when a new agent, played ably by Amanda Peet, calls both Mulder and Scully back into service to help out with a missing persons case that includes an abducted FBI agent. Currently relying on a supposedly-psychic pedophile priest (did we hit enough politically correct notes with that piece of villainy?) to lead them to clues, the actual need for Mulder and Scully’s expertise in the peculiar is never one hundred percent clear, but the resulting case does reignite the smoldering ember of chemistry between Mulder and Scully.

    Long-time series fans will be disappointed to hear that the Lone Gunman and the Cigarette-Smoking Man (William B. Davis) are notably absent, although a cameo from Mitch Pileggi as Walter Skinner is welcome recompense. Yet the lack of fan-service cameos serves the movie itself quite well, leaving it room enough to focus on the essentials: a creepy main plot, and real movement in the long-stagnant relationship between Mulder and Scully.

    As odd as it may sound, both X-Files movies were, at their core, a classic romance between Mulder and Scully, and what is admirable about the job done by Carter and company here is that even though the character’s relationship does move forward significantly in this movie, they both retain their core beliefs and principles – the differences of which has always sparked the chemistry between them.

    Released on DVD in a special two-disc set, there are loads of extra features that ought to be enough to satisfy even the most demanding of special-feature freaks. And I count myself among that number. Although its poor box office performance may have killed any chances for a third movie down the road, at least X-Files: I Want to Believe provides an emotionally resonating and satisfying wrap on science fiction’s longest-running dynamic duo since Batman and Robin.

    Review: Ghost House Underground: No Man’s Land: Rise of the Reeker (DVD)


    2008 - 10.27

    No Man’s Land: Rise of the Reeker is written and directed by Dave Payne, and is something of a one-trick pony of a movie. The main trick of the movie is a misdirect of who the bad guy is; the opening scene plays this to the hilt and once it’s over and the opening credits roll, the rest of the movie is as uninspired as a catalog of office chairs.

    The film relies on some rather cliché SF and horror conventions, one element of which even brings some miming into play. The film essentially quickly becomes a survival of the fittest flick, but with a supernatural twist as people who shouldn’t survive certain wounds somehow do.

    Relying more on gore and gross-out than actual suspense, No Name’s Land: Rise of the Reeker aims at a lower target than some of the other films in this collection. If they had hit that target solidly, that might be forgivable, but that’s not so much the case here. Despite a nice little shocker opening sequence, the rest of the film fails to live up to that same level of creativity and ends up being more tedious than a film of this type ought to be.

    Review: Ghost House Underground: Dance of the Dead (DVD)


    2008 - 10.27

    Written and directed by Gregg Bishop, Dance of the Dead is a zombie movie that was made right here in the US, and bypassed theatrical release, going directly to video as part of the Ghost House Underground collection of eight horror flicks. A good-natured film that builds characters well, the zombie content is foreshadowed early and yet allows enough time for the viewer to connect with the characters before the movie gets really dark.

    The main ingredient that seems to hold this film back from being a mainstream theatrical release, it seems, is the low profile casting; while that kept the budget small, the lack of any established, recognizable stars also is the main reason this film got lumped into a collection of DVDs rather than going onto the silver screen. This makes Dance of the Dead the movie equivalent to a once-rotund person after using the Alli diet pill

    That’s not a knock on the performances given by those cast, however; though less experienced actors, most do well with the material they’re given. A nuclear power plant is generally cast as the reason for the zombification of the dead, though that’s barely explored in this release, though it’s hinted that an assault on the power plant will be the main action behind an anticipated sequel.

    Though a bit cornball and predictable, Dance of the Dead is the most commercial of the movies in this collection. If they had snagged someone like Smallville’s Kristen Kruek or Supernatural’s Jared Padalecki to take up a key role or two in the film, this would be a movie review, and not a DVD review.

    Review: Ghost House Underground: Room 205 (DVD)


    2008 - 10.27

    Part of the eight-movie horror-flick fest known as Ghost House Underground, Room 205 is a spooky film focusing on a haunted dorm room, and a Danish import brought to the US by Lion’s Gate Films.

    The movie focuses on freshman Katerine, who tries to gain the acceptance of her peers while still getting her bearings as a new university student, but undergoes a hazing related to Room 2005’s reputation as a haunted dorm room.

    Unfortunately, there’s more to the haunting of the room than pure legend and when a haunted mirror starts to show people who are about to die their fate rather than their reflection, Katerine’s dorm-mates begin to suspect her in the series of deaths that soon follow.

    Paced like a slasher film, Room 205 contains a sexual assault scene that, while not overly graphic, may be disturbing to some viewers. The language is rather tame and the English dub job may not be seemless, but it’s quite a bit better than the dub-job on The Substitute. Atmospheric but a bit cliché, Room 205 is effective at building up a sense of suspense, yet suffers from being a bit predictable.

    Review: Ghost House Underground: The Substitute (DVD)


    2008 - 10.27

    The movie The Substitute, which is part of the Ghost House Underground collection, is not to be confused with the 1996 Tom Berenger movie or its sequels. This is a Danish film released this year and collected as part of an eight-movie horror film grab bag. The film stars aging Danish film star Paprika Steen at the blonde substitute teacher of the film’s title.

    More kitschy SF flick than pure horror film the movie opens with some gobbledygook about another planet finding Earth that didn’t know how to love, and it was humanity’s capacity to love that drew them here. Of course, there’s very little loving done in the story that follows. When Steen appears as a substitute teacher, her class of students sense there’s something freaky-deaky about her right away; of course, the parents don’t see it and she somehow rises above suspicion for much of the film, even though she never does anything as innocent as playing with dollhouses.

    On the upside, the film is relatively clean on the language front and low on the gore factor, relying on more of a building suspense than blood-n-guts. On the down side, the final act is pure hokum, the English dub job is haphazard at best and painfully out-of-synch at times, and the film as a whole is not very spooky at all.